Person sitting on a beige couch with a colorful striped pillow, wearing a sweater with red and navy sleeves, and jeans. A wooden-framed mirror is visible in the background.
Text image reading "Inspiring the World with Her Story" with orange accents.
The word 'HEY!' in bold white letters on a black background, bordered by a white frame.

I’m Isabel. I write and produce original, female-driven, fictional projects for film and television that inspire, engage and entertain.

Safe bets are for wusses.
I believe bold choices in storytelling inspire the conversations we need.

Creating stories that entertain and shift the culture is my kind of heaven. After two decades immersed in vérité documentaries, I’m now developing narrative dramas across formats for global audiences. I welcome the chance to collaborate with teams interested in pushing boundaries, developing projects with integrity and artfulness. As Frank Capra said, “Only the daring should make films.”

Group of people gathered around a table with camera equipment, reviewing notes in a production setting, with "Cherokee Film" visible on a monitor in the background.

Working shoulder-to-shoulder as Producer and Writer with Cherokee Nation is one of many collaborative projects where strategy, budgetary agility and creative magic converge to develop a project’s storytelling magic.

Woman in pink shirt wearing headphones sitting at a table with microphones, participating in a podcast or radio interview.

Frame By Frame is a podcast I created in collaboration with Post New York Alliance, featuring never-before-shared stories from the editors, mixers, and producers who crafted New York’s most iconic films—Network, All That Jazz, Sophie’s Choice, Do The Right Thing.

find 35 episodes streaming on Apple Podcasts and in the Academy of Motion Picture Arts and Sciences’ Oral History Archives.

The producer is part artist, part technician, part general, part gambler, part mother-confessor, and part seducer. Ultimately, my job is to gather forces and birth new worlds through sheer will of the collective imagination.

For more than twenty years, I’ve earned my living telling stories—mostly on screen, some large, often small, but most essentially to communities who feel their lives reflected in a project that—crucially — taps their emotional core. Many projects I’ve been a part of have screened at the world’s top festivals, like Cannes, Telluride, Berlin, or have been nominated for Emmys, one even hit #2 on Netflix. The instinct that pulls me to a story is the same one that might have led me to the courtroom: a belief in action, in the power of voice, in bearing witness. The stories I choose are never abstract. They matter because they move something forward.

From re-writing scenes at the 11th hour, to compellingly making the case for an “artistic” section of the budget to negotiating 18 crates of film equipment through Chinese customs, through the years, I’ve earned battle scars and comapnioning lessons and built extended family of craftspeople and arists that make excellence the floor not the ceiling.

For me, the real magic happens in collaboration with others and I’m always looking for the next can’t-pass-this-up project that offers new challenges, opportunities, builds community and makes me fall in love with filmmaking all over again.

You may have heard of some of the organizations I’ve worked with.